Place of birth

Sridharkhola, Dacca, India (Bangladesh)

Date of arrival to Britain

Location(s)

Slade School of Art
London
WC1E 6BT
United Kingdom
King Alfred School
North End Road
Golders Green
NW11 7HY
United Kingdom
12 Relton Mews
Knightsbridge
SW7 1ET
United Kingdom
Royal College of Art
South Kensington
SW7 2EU
United Kingdom

Date of time spent in Britain

1920–7

About

Mukul Dey was an artist who specialized in dry-point etching. He studied at Rabindranath Tagore's school at Santiniketan. From 1911 his paintings appeared in monthly magazines in Calcutta, and then in 1913–14 the Indian Society of Oriental Art sent his paintings to Paris, London and other European cities for exhibition with the works of other students of Abanindranath Tagore. W. W. Pearson inspired Dey to work with dry point by giving him copper plates to scratch with a steel pointed needle and then sent these plates to London to be printed. In 1916 Dey accompanied Rabindranath Tagore on his tour of Japan and the US. In 1919 Dey went to the Ajanta and Bagh caves; his experiences were published in My Pilgrimages to Ajanta and Bagh.

In 1920 Dey went to London and was received by his old friend W. W. Pearson. Dey worked in Muirhead Bone's studio until he joined the Slade School of Art in London. In his holidays he worked at the King Alfred co-educational school in north London. In 1922 Dey was the first Indian to receive the Diploma in Mural Painting from the Royal College of Art. Dey regularly exhibited in London and met many prominent British figures in the art and literary world such as Thomas Sturge Moore, Edwin Lutyens, Laurence Binyon and Selwyn Image. His work was exhibited at the Royal Academy in London in 1923 and he decorated a portion of the Indian Pavilion at the Wembley British Empire Exhibition in 1924.

In 1927 Dey returned to India. In 1928 he became the first Indian Principal of the Government School of Art and Craft in Calcutta, a post he held until 1943. He continued to tour his work and remained an influential figure in India until his death in 1989.

Thomas Arnold, Herbert Baker, Laurence Binyon, Sir Muirhead Bone, Harindranath Chattopadhyaya, E. M. Forster, M. K. Gandhi, E. B. Havell, Dr Henry Lamb, Edwin Lutyens, Florence Mills, W. W. Pearson, William Rothenstein, Thomas Sturge Moore, Abanindranath Tagore, Rabindranath Tagore, Professor Henry Tonks, Ranada Ukil, Sarada Charan Ukil, John Woodroffe.

Twelve Portraits, introduction by Sir John G. Woodroffe (Calcutta: Amal Home, 1917) 

My Pilgrimages to Ajanta and Bagh, introduction by Laurence Binyon (London: Thornton Butterworth, 1925)

Fifteen Drypoints, interpreted in verse by Harindranath Chattopadhyaya (Calcutta: Mukul Dey, 1939)

Mitter, Partha, Art and Nationalism in Colonial India, 18501922 (Cambridge: Cambridge University Press, 1994)

Mitter, Partha, The Triumph of Modernism: India's Artists and the Avant-Garde, 19221927 (London: Reaktion, 2007)

Sketch of Francis Younghusband by Mukul Dey, Mss Eur F197/677, Asian and African Studies Reading Room, British Library, St Pancras

Duplicate Passport, IOR/L/PJ/11/2/46, Asian and African Studies Reading Room, British Library, St Pancras

Material relating to 1960 exhibition held by Royal India, Pakistan and Ceylon Society, Mss Eur F147/100, Asian and African Studies Reading Room, British Library, St Pancras

Collection, Indian Museum, Kolkata

Mukul Dey Archives, Santiniketan, www.chitralekha.org

Collection, National Gallery of Modern Art, New Delhi

Collection, Victoria and Albert Museum, London

Image credit

© Remaking Britain: South Asian Connections and Networks, 1930s – present

Citation: ‘Mukul Dey’, South Asian Britain, https://southasianbritain-demo.rit.bris.ac.uk/people/mukul-dey/. Accessed: 5 July 2025.

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